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“The murals also captured the imagination of a developer and several business owners.Within a year, everyone of the murals had to be removed because real businesses wanted to locate there.” in the form of a new Italian deli, a brewpub and a cooperative art gallery, which itself grew out of a town meeting in which local where local residents offered visions for the neighborhood.North Philadelphia, among all the struggling communities across the U. Yeh was shocked at the state of the neighborhood, and didn’t quite know where to start.But she knew something had to be done so she began cleaning up the trash, which drew the attention of local kids who wanted to know, she remembers, what “this crazy Chinese lady” was up to.Proudly displaying the Slow Cities logo around town, they pledged to: — restrain racing traffic by limiting automobiles and promoting leisurely transportation alternatives such as bikes and pedestrian zones; — encourage businesses, schools and government to improve the quality of life by allowing people to take time off for a long midday meal; — promoting good food by sponsoring farmers’ markets and preserving local culinary traditions; — curtain noise pollution and visual blight by limiting car alarms, outdoor advertising and unsightly signs.“We are not against the modern world,” explains mayor Paolo Sautrnini of the slow city of Greve in Tuscany.Cancel your cable bill and spend the savings at local diners and taverns, where you’ll get more important news, far more interesting stories and even more opinionated sports coverage.

But one half-block stretch of its downtown proved stubbornly resistant to change.

Soon their parents were watching too, and Yeh realized she had some collaborators for what was to be the most important art project of her life.

Soon everyone was involved in cleaning up the area, painting murals, and creating an “art park”, which the became the pride of the community.

“We just want to protect what is good in our lives and keep our unique town character.” Resources: “Slow Cities league”: struggling communities is despair as everyone—inside the community and out—loses faith that anything can change.

The goal then must be to crack through that sense of hopelessness, showing that change is possible. Vacant lots strewn with rubble dominated the landscape just as you see in photographs of bombed-out Berlin at the end of World War II—a testament to the economic, social and psychological devastation of local residents. She was an art professor at the Philadelphia School of Fine Arts, whom a friend consulted about what to do with a particularly grim stretch of abandoned lots near his dance studio.

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